Robben Ford is one of the premier electric guitarists today, particularly known for his blues playing, as well as his ability to be comfortable in a variety of musical contexts. A five-time GRAMMY nominee, he has played with artists as diverse as Joni Mitchell, Jimmy Witherspoon, Miles Davis, George Harrison, Phil Lesh, Bonnie Raitt, Michael McDonald, Bob Dylan, John Mayall, Greg Allman, John Scofield, Susan Tedeschi, Keb Mo, Larry Carlton, Mavis Staples, Brad Paisley and many others.
After high school, Robben and his brothers Patrick (drums) and Mark (harmonica), formed The Charles Ford Band, named after their father and recorded for the Arhoolie label. Robben (on sax and guitar) and Patrick went on to tour the U.S. with Chicago harmonica player Charlie Musselwhite.
Robben’s first attempt at forming his own jazz quartet was picked up by legendary blues singer Jimmy Witherspoon, which brought Robben to L.A. He toured the U.S. and Europe with Witherspoon and was seen by Tom Scott and members of The L.A. Express, who were about to begin a promotional tour with Joni Mitchell for her recording, Court and Spark. Robben was invited to play guitar on the tour and played on two recordings with Mitchell and The L.A. Express. “The two years I spent with Joni were the most formative of my musical life. Joni was just brilliant and very accessible, and the members of The L.A. Express became good friends and teachers. It was great.”
Beatle George Harrison invited Robben to join him on his Dark Horse tour of the U.S. and Canada, raising his musical profile even further. Shortly after the two month stint with Harrison, Robben moved to Colorado to take a much-needed break from music and to study with Buddhist teacher, Chogyam Trungpa. In 1977, he was approached by Elektra Records, which produced his first solo recording, The Inside Story, with a group of musicians who went on to become the Yellowjackets.
His latest recording, "Purple House" (2018) is a remarkable collection of songs featuring Ford’s enlightened approach to composition and production. Exploring the range of the studio with a fresh approach, he weaves in and out of surprising musical moments, ear-wormy hooks, and thoughtful lyrical themes. His sophisticated approach to the blues is evident throughout, yet the record is far more diverse regarding song structure and style. “I was inspired to go past what would certainly happen on a traditional blues or R&B album, take more chances sonically, and open it up without losing the essence of soulfulness or live performance.”